![]() ![]() This makes Minitaur extremely fast and easy to use-but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. Shut me up now.Access 6 Modulation sources, Hard Sync, ADSR Envelopes, CV to MIDI conversion and more. And now you can use that CV in to MIDI output, turning the Minitaur into a handy MIDI-to-CV converter. Assign control voltage or gate inputs to control any Minitaur parameter with external analog gear. ![]() There’s also a free editor/librarian for Mac and Windows now bundled.ĬV in, MIDI out. Using just the hardware, you can save and load up to 128 presets (or recall those presets via external MIDI). Preset saving and a free editor/librarian. You can also choose to just modulate the second oscillator, which Moog suggests you might use in conjunction with the hard sync for “syncopated metallic sweeps and surges.” There’s also hard sync, which opens up some new, edgy sounds. There are five new modulation sources for shaping sounds – triangle, square, sawtooth, ramp, and sample & hold waveshapes are now available, or you can route the envelope from the filter. Now, what you get is a set of updates that make it more versatile and accessible. (Sure, the feet thing was part of the appeal of the Taurus, but no reason not to get that bass on a table, too.) The Minitaur was already a great idea – start with the bass synth Taurus, but get it out of that hulking pedal thing on the floor and into a smaller, more affordable, more hands on (okay, instead of feet-on) instrument for everybody else. ![]() ![]() While “2.2” sounds like a tiny feature bump, there’s loads of new stuff here, and a lot of it promises to expand your sonic palette. It’s a little like the folks at Moog really, really, really wanted to make sure that doesn’t happen on the Minitaur. There’s a reality no one really talks about much in synth writing, which is that people often get bored of a synth’s sound and get rid of it. But this little synth deserves a big second look. And with all the Minimoog remake hype, you probably weren’t even thinking about the Minitaur. It’s just called “2.2,” which sounds like a minor update. ![]()
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